Saturday, 6 March 2021

From XX to LV: Thirty-five Years as a British NFL Fan

 

Spectator sports exist to provide a distraction from real life. For committed fans, however, they are real life. I have written previously about my love of cricket, but these days cricket takes second place in my affections to American football, specifically the National Football League (NFL). In this article I will reflect on my years of following the NFL from the wilds of Lancashire, England, starting in the 1980s and still going strong in COVID-ridden 2021.

 

Like many British fans, my interest began after Channel 4 began broadcasting highlights of the NFL in 1982. For some reason, the game caught my imagination, despite being a soft-hearted liberal who was sceptical of all things American. At first, I understood very little of what I was watching. In principle, American football is a simple game, not too dissimilar to Rugby League, with a straightforward scoring system. In practice, everything about the NFL is complex. Why does a game with eleven players a side need a playing squad of 53? Why, when a game is timed to last for one hour, does it actually take upwards of three hours to complete? Why, as happened this year, does a team who won seven and lost nine games (Washington) get to the playoffs, while a team who won ten games and lost six (Miami) does not? Why does the most popular game in America, the spiritual home of free-market capitalism, seem on the surface to be a hotbed of socialism? At first, these and many other questions were mysterious to me. Watching a game, it seemed that the players scattered around the field like demented, armoured chess pieces, and the commentators analysing plays could have been discussing quadratic equations (it didn’t help that I was watching on a small, portable black-and-white television). Today, I have a decent knowledge of the sport. I can follow a game play-by-play and broadly understand what has happened and why. I know basic tactics and strategy and recognise the many penalties. I am as opinionated as any armchair Head Coach and could hold a long pub discussion about the game if the pubs were open and I knew anyone who shared my obsession. But it has taken me thirty-five years to get to this point, watching many TV games; reading several key books about the sport (listed at the end of this article) and trawling the NFL website. And despite never having visited America, I have had the thrill of watching NFL games live, when the sport has visited London’s Wembley stadium.

My early education in the NFL was assisted by Channel 4's American Football Annual. This is the 1986 edition, chronicling the year that the Chicago Bears won Superbowl XX
 
Approaching Wembley Stadium for my first live NFL game in 2014. The Cowboys won, 31-17


Sports evolve slowly and almost imperceptibly, like the design of a marmite jar. My experience of the NFL to date is bookended by two Superbowls: Superbowl XX, which concluded the 1985 season and Superbowl LV, which ended the benighted 2020 season (Superbowls have always had the distinction of Roman numerals). Watching both games again (they can be viewed, without adverts or breaks in play, on Youtube), they are clearly the same sport. But much has changed in the NFL in the past thirty-five years, partly reflecting changes in American society. This continues the NFL’s development from its foundation just over 100 years ago. For a start, there are four more teams in the NFL now than there were in 1985, and six teams have moved cities; one twice and another three times. And if anything, the league has become more ‘socialist’, not less.

 

I am of course using the term ‘socialist’ advisedly. There is nothing socialist about the NFL. It is a classic example of American monopoly capitalism; as monolithic a business as McDonalds or Amazon. Over the years it has achieved the premier position in American sport, dwarfing baseball in popularity and wealth. But one way it has maintained its appeal has been by ensuring a level playing field within the league, with steps taken to minimise the risk of a few rich teams becoming dominant, reflecting the mantra that “the league is only as strong as its weakest member”. Traditionally, this was done through the annual ‘draft’, when the best college players were selected by NFL teams. The draft is carried out in reverse order of achievement, with the season’s worst-placed team choosing first in each round of the draft, and the Superbowl champion choosing last. Then, the poorer teams are given an easier schedule of games in the next season than the better teams, so that theoretically, every team (or franchise, as the NFL calls them) has as good a chance to get to the Superbowl as any other.

 

In 1985, NFL players were effectively vassals of their franchises. They could only leave to join another team with permission, even at the end of their contracts, while their tem could trade them away, or cut them at any time. Players today can still be traded or cut, but in the late 1980s, following a players’ strike and legal action, the league introduced ‘free agency’, whereby a player at the end of their contract could offer themselves to any other team. An inevitable consequence of free agency was that the best players could demand inflated salaries, threatening the league’s level playing field. In response, the NFL introduced a salary cap, whereby a team could not offer more than a fixed amount in total player salaries. The league’s internal level playing field was thereby preserved.

 

Superbowl XX was played between the Chicago Bears and the New England Patriots. That year, the Bears were firm favourites, having reached the playoffs with a 15-1 record, while the Patriots’ success was unexpected. The Superbowl went according to form, with Chicago dominating, the final score 46-10. But since then, the Bears have only been to one further Superbowl, which they lost, while since 2001, the Patriots have made a mockery of the NFL’s level playing field, reaching the Superbowl nine times and winning six – an unprecedented amount of success. We will consider this freakish dominance later.

 

How Channel 4's American Football Annual described Superbowl XX

By Superbowl XX I had moved on from my portable black and white TV and was able to watch the game live on a decent telly. I continued to follow the NFL on Channel 4 for many years. Presenters came and went, but best of all was the Canadian former college tight-end and polymath Mike Carlson. His weekly round-ups were particular pleasures, peppered with running jokes (Pittsburgh's Hines Ward was 'so good, they named the stadium after him' - Pittsburgh played at Heinz Field - while the Rams Torry Holt was 'the Tory you can support'. Once, he sang his weekly roundup. Channel 4 no longer shows the NFL, but Mike can still be seen as part of the BBC's Superbowl presenting team. Today, Sky Sports shows up to six full games per week and the NFL was the reason I finally caved in and invested in a satellite dish.

Sky Sports commentators Neil Reynolds and Shaun Gayle analyse a play while the Dallas Cheerleaders entertain the crowd. Shaun Gayle was a member of Chicago's Superbowl XX-winning side

The level of interest in the NFL in the UK has been such that the league has frequently crossed the Atlantic and played games in Britain. In August 1986, the Superbowl XX champion Chicago Bears played a pre-season (friendly) game at Wembley Stadium and other such games were played in the UK subsequently. For some years, an offshoot league known as NFL Europe was based in several European cities, including London and Edinburgh. But the real dream was to bring actual NFL games to the UK, and since 2007 up to four NFL games per year have been played in London, before COVID prevented the planned games from taking place in 2020. Most, if not all have been sell-outs and it is not impossible that an NFL franchise may be based in the UK one day. I have made the pilgrimage to Wembley three times, as the photographs accompanying this article will testify.

 

Dallas limber up prior to their Wembley game against Jacksonville in November 2014

The NFL does not, of course, exist in a vacuum. Professional players hone their craft in College football, and before that in High Schools. Games between the leading College teams can attract as many spectators, and as much television coverage, as NFL games, and even High School teams have a local standing that school sports teams in the UK can only dream about. The culture of football, for good or ill, is inculcated into players from their school days. A classic account of the culture and mores of High School football in the 1980s is H. G. Bissinger’s Friday Night Lights, in which the author followed a successful High School team for a season in Odessa, a blue-collar, staunchly conservative oil town in Texas. As well as being a gripping account of the Permian Panthers’ struggle to reach the Texas State final, and the lives of some of the seventeen and eighteen-year-old players, the book paints a vivid picture of small-town America at the time of Ronald Reagan and George Bush Senior.

 

The success of the Panthers was not just an imperative for the school, but for the whole town. At the time, Odessa had a population of around 100,000, and the attendance at the weekly friday night football games was around 15,000 (in comparison, Preston, Lancashire has a similar population, and its Championship level soccer team, Preston North End, had an average attendance in 2019 of 13,000). Adults shamelessly lived their lives through their sons’ football achievements. The school, Permian High, threw every possible resource into the football team, to the detriment of its academic achievement – it had lower average grades than many similar schools, but thought nothing of spending thousands of dollars to charter planes to take the football team to away matches. The players, mostly white and middle-class, were treated as cannon fodder. Winning was all-important, and winning in American Football often meant being more violent than your opponents. Boys were encouraged to play through injuries and many readily did so, for one or two years of local fame and for the lucky few, a chance to win a football scholarship to a top sports college. Black players were prized for their athleticism, but subjected to casual racism off the field, including in the classroom, from classmates and teachers.

 

In short, to understand small-town America, and the role of sport in American society in the 1980s, Friday Night Lights is essential reading. What has changed over the thirty years since it was written? Well, Permian High School has lost its status as a leading football school, through a reappraisal of its values and how its resources should be distributed. It is over twenty-five years since the school was last State champion. Attendance at games today is lower, at around 8,000. The town of Odessa has undergone a succession of economic booms and busts, depending on the state of the oil market; prior to being brought to its knees by COVID it had been experiencing an upsurge due to being a centre for fracking. Despite now having a majority Hispanic population, the town voted solidly Republican (i.e. for Donald Trump) in 2016 and 2020, just as it did in the 1980s.

 

In culture and values, the NFL in the 1980s was little different to that of Permian High School. Winning was all, and in a game still largely dominated by running the ball, the way to win was essentially to be more violent than your opponents; to tackle and block harder. Head injuries, including serious concussions, were all part of the sport. In Superbowl XX, Chicago’s Hall of Fame linebacker Mike Singletary suffered a concussion early in the game, but returned to the field after taking just a few minutes to clear his head, drawing approving words from the commentators. In recent years, the downside to this aspect of the game has become tragically apparent, with the realisation that former NFL players have higher than average rates of dementia and other neurological conditions, that can be directly related to a history of head injuries and concussions. The league has taken steps to try to reduce these, with rule changes to outlaw head-to-head contact and independent assessments of head injuries, with players who show neurological symptoms being taken out of games. Time will tell if these measures will reduce rates of dementia as the present generation of players grow older.

 

I stated above that in 1985, the game was largely dominated by running the ball. In terms of tactics and strategy, the history of the NFL has centred on the balance between the run and the pass as ways of progressing the ball. When the NFL was first established, running the ball dominated, as the ball could only be thrown forward under certain circumstances. In 1933, unrestricted forward passes were legalised, and the game began its long road towards today’s pass-dominant approach.

 

As Michael Lewis explains in his great book about College football, The Blind Side, the 1980s was the decade that the balance shifted from the run to the pass. Under Head Coach Bill Walsh, the San Francisco 49ers pioneered the ‘West Coast Offence’, in which offences were dominated by short, well-practiced passing plays, with timing of passes crucial (previously, passes had tended to be long-range speculative throws, often delivered more in hope than expectation of a catch). In consequence, defences put more weight on ‘rushing the passer’, with forceful and athletic Linebackers such as New York Giants’ Lawrence Taylor, who ended Washington’s quarterback Joe Theisman’s career with a particularly violent tackle. Covering the quarterback’s ‘blind side’ became paramount, leading to the importance of the Left Offensive Tackle as the quarterback’s main protector.

Blake Bortles of Jacksonville calls the signals against Dallas. Will the play be a run or a pass?
 

Statistics show the extent that the game has changed over the decades. In the 1985 season, just one quarterback (Miami’s Dan Marino) totalled more than 4,000 yards passing, whereas in 2020, twelve quarterbacks reached that mark. By contrast, sixteen players ran the ball for 1,000 yards in 1985, while nine did so in 2020. The rise of the pass has tended to increase scoring – a drive based on passing takes less long than one with lots of running plays. Another factor that has led to higher scores is the drastically improved efficiency of kickers when attempting field goals, both in their rates of success and the length of kicks that they are able to attempt. The first specialist kicker to reach the NFL Hall of Fame, Jan Stenerud, who played for three teams from 1967 – 1985, had a career success rate of 66.8% in kicking field goals. By contrast, the league’s worst regular kicker in 2020, Dan Bailey of Minnesota, had a success rate of 68.2%, and nine kickers achieved over 90% success.

 

Andrew Luck of the Indianapolis Colts passes against Jacksonville in October 2016 Less one-sided than the previous games I had attended, Jacksonville won 30-27

Cairo Santos kicks a field goal for Kansas City against Detroit at Wembley, October 2015

Another playing change since the 1980s has been the willingness of quarterbacks to run with the ball. Years ago, this was almost unheard of. In the 1950s, Hall of Fame quarterback Norm Van Brocklin supposedly remarked that a quarterback only ran out of sheer terror. By 1985, some quarterbacks were becoming known as runners, notably San Francisco’s Steve Young (in 1985, Chicago’s Jim McMahon rushed for 252 yards, and scored two rushing touchdowns in Superbowl XX). In 2020, Baltimore’s Lamar Jackson was ninth in the overall list of rushers, with 1,005 yards, with three other quarterbacks reaching 500 yards. For several teams, quarterbacks put up a significant portion of their teams’ rushing yards.

 

One quarterback whose fame is not related to his running ability is Tom Brady, for twenty years the leader of the New England Patriots and still in the NFL at the age of 43. The unprecedented success of Brady and the Patriots has been the dominant narrative of the NFL since the millennium.

 

The story of the Patriots would make the writer of Roy of the Rovers blush. In 1985, the Patriots were the hapless underdogs of Superbowl XX. They did not return to the Superbowl until 1996, when they were defeated by the Green Bay Packers in Superbowl XXXI. In 2000, Bill Belichick was appointed as Head Coach, and he drafted Tom Brady in the sixth round, unusually as the fourth quarterback on the roster. While successful as a College player, Brady was not deemed by other teams to be fast or athletic enough to be an NFL quarterback. But after spending the 2000 season as back-up to Drew Bledsoe, favourite of the Patriots’ owner Robert Kraft, Brady took over as starter during 2001, when Bledsoe suffered a horrendous – and near fatal – injury. The Patriots had an 11-5 record in 2001 and next year they became Superbowl champions for the first time. By 2018 the Patriots had been to nine Superbowls and won six.

 

What was behind the Patriots’ unprecedented success? Bill Belichick was a cerebral and ruthlessly single-minded Head Coach, who thought nothing of summarily discarding players whom he felt were past their best, but also had a knack of getting the best out of some players who, like Tom Brady, were not thought up to it by other teams (Wes Welker; Julian Edelman) and others who had a reputation as disruptive influences (Randy Moss). But would he have had such success without Brady, widely regarded as the GOAT (Greatest of All Time) among quarterbacks? Interestingly, despite their twenty-year partnership, Brady and Belichick were not close friends, partly because Belichick never got close to any of his players (it would make it harder to cut them), and partly because as his achievements grew, Brady would challenge aspects of Belichick’s authority. In particular, Brady relied on a personal trainer, Alex Guerrero, whom he credited with keeping him fit enough to play into his forties, and insisted that Guerrero be made part of the Patriots’ staff, against Belichick’s wishes.

 

Patriots fans among the crowd at Wembley in 2014. I do not share their enthusiasm

Along with their success, the Patriots acquired a reputation for sharp practice. Two particular incidents became notorious: 2007’s ‘Spygate’, when Belichick admitted illegally filming an opposing team’s pitchside signals, and 2015’s ‘Deflategate’, when Brady was accused of ordering balls to be deflated to below the league’s required pressure. While underhand tactics had long been a part of the NFL, many teams felt that the Patriots had taken rule bending to a new level.

 

In 2020, aged 43, Brady finally left the Patriots, to join the Tampa Bay Buccaneers. How would he manage under a new Head Coach? How would New England thrive without their long-standing star quarterback? \Well, the Patriots failed to reach the playoffs for the first time in twelve years, while Brady led the Buccaneers to victory in Superbowl LV. Brady has now gained seven Superbowl rings, while Belichick has only once reached the playoffs (including his previous five-year spell as Head Coach of the Cleveland Browns) with a quarterback other than Tom Brady.

 

The Team that Brady and the Bucs defeated in Superbowl LV was the Kansas City Chiefs, piloted by quarterback Patrick Mahomes. The comparison between Brady and Mahomes is literally between the old and the new. Forty-three year old Brady is a traditional ‘pocket passer’ style of quarterback, who compensates for his relative lack of mobility with passing accuracy and a deep understanding of the game. Mahomes is twenty-five and supremely athletic, making things happen by rushing and scrambling and spectacularly acrobatic passes. And Brady is white, while Mahomes is black.

 

As with America itself, the history of the NFL cannot be understood without reference to race. In its early decades, there were few black players and even fewer black coaches, and blacks were excluded from the league between 1933 and 1946. By the early 1960s, black players were becoming more sought after, but were still very much in a minority. In his fine book about the 1963 Detroit Lions, Paper Lion, George Plimpton noted the double standards employed by white players and coaches. It was around the time when racial integration was becoming an issue in the South, and Plimpton noted that white players and coaches from the South held traditionally racist views when considering integration, but did not apply them to the black players on the team – football ability trumped race in how they regarded individuals.

 

By Superbowl XX, there were many black players in the NFL, but areas of prejudice were still apparent (we noted above the racism that the black players at Permian High endured in the 1980s, as related in Friday Night Lights). In the NFL, there was a lingering view that some positions on the field were not suitable for black players. These were the positions that required the greatest understanding of the game and leadership qualities – Centre, Middle Linebacker and, of course, Quarterback. Black players were under-represented in these positions for many years after they had come to dominate most others.

 

Today, around 70% of NFL players are black and attitudes towards the suitability of blacks for key positions on the field have largely changed. Like Mahomes, many of the new breed of quarterbacks are black. But, just as in American society as a whole, the position of blacks in the NFL is sometimes precarious. In 2016, San Francisco’s black quarterback Colin Kapernick and many other black players protested against racial injustice by sitting or kneeling during the national anthem, drawing the ire of President Donald Trump among others. Kapernick lost his job and has not found another team willing to employ him. The proportion of black coaches, particularly Head Coaches, is low compared to the number of black players. During the 2020 presidential election campaign, Patrick Mahomes was active in encouraging young black people to vote, and while he did not publicly endorse a candidate, it was clear that he was not a Trump supporter (unlike Tom Brady and Bill Belichick).

 

So the NFL, like America as a whole, has its issues and is taking baby steps towards addressing them. The role of women in the NFL is another area of attention, particularly in the light of a stream of incidents of domestic violence involving high-profile NFL players. In Superbowl LV, for the first time a female official, Sarah Thomas, was among the officiating crew, and several teams now employ female coaches on their staffs.

 

Until recently, the main contribution that women made to the NFL was as Cheerleaders. There are now several female TV presenters and commentators, and women are gradually being admitted as coaches and game officials

In the thirty-five years that I have been following the game the NFL has slowly changed and adapted, but for good or ill it remains quintessentially American. As with other sports, American Football has its dark side, but as a spectacle, especially when sitting high in the stands at a packed Wembley stadium watching the razzle dazzle of a real NFL game, it is unbeatable. But which NFL team do I support? In general, one's sporting allegiances are imprinted from an early age, by family or peer influence or simple geography. I have long been condemned by these to supporting Kent County Cricket Club and Crystal Palace Football Club. However, I came to the NFL later in life, with no peer pressures and an imperfect understanding of the geography of the United States. Consequently, I have never adopted a franchise as my own - my perspective on the game matches the NFL's level playing field and I can watch each game as an interested neutral. But I do like it when the Patriots lose.

 

Watching the NFL is a serious business

Recommended Reading

Bissinger H. G. (1990) Friday Night Lights: A Town, a Team and a Dream. 

Feinstein J (2004) Next Man Up: A Year behind the Lines in Today's NFL.

Kramer J (1968) Instant Replay: The Green Bay Diary of Jerry Kramer.

Lewis M (2006) The Blind Side.

McCambridge M (2005) America’s Game: The Epic Story of how Pro Football Captured a Nation.

Plimpton G (1964) Paper Lion.

 

Saturday, 16 January 2021

Beautiful Days: An Incomplete and Personal History of British Music Festivals (2): The Twenty-First Century – A Picture Essay


 By the millennium, music festivals had become transformed from an expression of the counter-culture to a mainstream leisure activity. In the UK, and worldwide, the number and range of festivals grew exponentially. Prior to 2020, when the coronavirus silenced live music, there was a festival to suit practically any taste. In this article, rather than attempt to describe the huge range of events that make up the contemporary music festival scene, I will offer a picture essay, using photographs from my own experiences as an avid festival attendee over the past twenty years. 

 

Welcoming sign at Beautiful Days 2013


As I related in my previous article, festivals ‘grew up’ during the 1990s. Legislation and changing expectations helped to civilise what had previously been an edgy, carnivalesque experience. People who would not previously have considered it now wanted to go to a festival, and the age range of festival-goers expanded as the pioneer generation grew older. In 2005, 649 festivals took place in the UK, nearly half of which had been established since 2000. Around 30% were outdoor events and a quarter were folk festivals. While some festivals fall by the wayside, and the music press periodically speculates that the festival market has become saturated, there is no sign of festivals disappearing. In 2019, over 1,000 events were listed on efestivals.com. It has been stated that festivals bring £1.76bn in value to the British economy each year, supporting 85,000 jobs. A few years ago, an academic with nothing better to do attempted a typology of music festivals, coming up with seventeen types, and he would probably have to add a few more to his list today.

 

During the first few years of the new century, my festival-going was limited to my annual pilgrimage to Fairport Convention’s Cropredy festival, but as soon as our kids were old enough to look after themselves, my wife and I became festival obsessives. We have been to at least one festival every year since 2005, and often two or three. For us, the music comes first, and we choose festivals on the basis of their genres and line-ups. We have our favourites, all straddling the boundary of folk and rock. Cropredy remains a stalwart, along with festivals organised by other folk-rock bands: Beautiful Days, run by the Levellers and the Big Session, by Oysterband. Wickham festival in Hampshire taps into the same market and we have been there several times. Others we have been to include Wallingford Bunkfest, Shrewsbury Folk festival, Bearded Theory (at Catton Hall, Derbyshire), Solfest (Silloth in Cumbria) and Glasgow’s Celtic Connections. And in 2013 we returned to Glastonbury for the first time since 1986, with our children, now grown up, and their partners as well.

 

My enjoyment of a festival is a function of four factors:

  •        The line-up (first and foremost)
  •       The weather (for ‘greenfield’ festivals)
  •       The organisation (parking, camping or accommodation, toilets and showers, food and drink, rules and regulations, etc)
  •       The ambience (the sum of the first three factors, along with how the audience responds to the festival).

In the remainder of this article, I will attempt to capture the ambience of some of the festivals I have attended over the past twenty years. I hope that the following collection of photographs and comments will help you to get a flavour of music festivals as I have experienced them.

 

SETTINGS

 

Part of the massive site at Glastonbury 2013, when around 175,000 people attended. The festival takes up a considerable area of Michael Eavis's Somerest dairy farm

Beautiful Days, run by the Levellers at Escott Park, near Exeter, also takes place on a rural "greenfield" site, but with a more modest capacity of 17,500

A view of the village of Cropredy during the annual Fairport's Cropredy Convention festival. While a greenfield festival, the site is adjacent to the village, and many villagers are involved in the festival

There is a strange symbiotic relationship between music festivals and country estates, dating back to the Beaulieu Jazz festival in the 1950s. Several festivals (including Beautiful Days) are set in the grounds of country houses. Here, Arley Hall in Cheshire hosts a small festival in 2008

Greenfield festivals often seek to create a 'village fete' atmosphere. The Big Session festival of 2009 (run by Oysterband) was a good example. However, not all was as it seemed: this village fete was actually in the heart of the city of Leicester, in the grounds of the de Montfort Hall.

STAGES

The famous Pyramid Stage at Glastonbury 2013. On stage is Elvis Costello, whom I saw headline Glastonbury 1984

Stages can be hired for all purposes. This is the main stage at Bearded Theory 2015, at Catton Hall, Derbyshire

The one and only stage at Cropredy 2017. In deference to the increasing age of the audience, the arena becomes filled with neat rows of camping chairs

Many festivals take place partly or wholly in marquees. An interesting setting is "Dogs in Space", an informal stage-cum-chill-out area at Solfest (Silloth, Cumbria) in 2013

 

AMENITIES

One of only two shower blocks at Glastonbury 2013, a total of 24 shower heads for the entire audience. I have fond memories of the same shower block in the 1980s, when it was both unisex and open-plan

Many festivals cater for families and children. Beautiful Days has a very family-friendly reputation

Festval toilets have improved markedly since the early days. While Glastonbury retains some 'long-drop' toilets, most festivals feature ranks of portaloos. Or one could try the straw-bale urinals at Solfest, with added views of the Southern Upland hills.

The Healing field at Glastonbury caters for all kinds of need
 
In a sanitised echo of the New Age Travelers' use of old buses and vans to travel from festival to festival, a teas shop in a Routemaster bus plies the festival circuit, seen here at Wickham 2012

 

PERFORMERS

Most large festivals have big screens to enable artists to be seen easily. Here, Liam Gallagher opens Glastonbury 2013 on the 'Other Stage'

 

Alternatively, a small festival enables fans to get closer to their heroes, in this case John Jones of Oysterband

The professional security staff at Beautiful Days 2012 are singularly unimpressed by the antics of Bellowhead's Benji Kirkpatrick

Achieving audience participation from a large festival crowd is not easy, but Gerry Colvin manages it with aplomb at Cropredy 2009

Musical legends: Simon Nicholl and Richard Thompson at Cropredy 2017...

...Ian Anderson of Jethro Tull at Beautiful Days 2012...


...and on the big screen at Cropredy, Robert Plant (2008)...

...Yusuf Islam (Cat Stevens: 2009)...

...Petula Clarke (2017)...

...and Brian Wilson and Al Jardine (once of the Beach Boys: 2018)

If it's your festival, you'd better turn up. Ian Telfer of Oysterband makes it onto the stage at the Big Session 2010, despite having a leg in a cast

Folk festivals are often plagued with Morris dancers. Wallingford Bunkfest, 2005

While many of the artists playing at the festivals I attend are "pale stale males", there are exceptions. Salsa Celtica at Wickham festival, 2010...

...and at the same festival, Kid Creole and the Coconuts...

...Eliza Carthy at Wickham 2017...

...while Sweden's Goat brought an exotic look to the West Holt stage at Glastonbury 2013

 

AUDIENCES

An appreciative crowd at Beautiful Days 2010

 
Festivals can be an opportunity to get together with family and friends. Beautiful Days 2013

There are few more stoical than British greenfield festival attendees, who often suffer from summer weather. This gentleman at Cropredy 2008 is well-prepared for keeping his valuables dry


Romance is often in the air. Beautiful Days 2012...

...and again...

...and love by the security fence, Glastonbury 2013

Attending Leeds or Reading festival has become a teenage rite of passage. A seventeen-year-old sets off for Leeds in 2010 - most of of supplies pressed on her by her solicitous parents were either lost or returned unused. Note the Cropredy 1993 sweat shirt

THE FUTURE OF FESTIVALS?

Salsa Celtica play at Celtic Connections in Glasgow in February 2020, just weeks before the coronavirus put an end to festivals for the year. As I write, Britain is at the peak of the 'second wave' of the virus, with no hint of when festivals may resume. Like many other areas of the economy, festivals have been battered by the virus, and it remains to be seen how many will survive to welcome returning audiences.

 


 

Contemporary Art: What Is It, Where did it Come from – and Is It Any Good?

Centipede  by Paula Morrison   Here is a piece of contemporary art. It is a sculpture created by a young Scottish artist named Paula Morris...